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Meet the Color Whisperer of Trek Bikes

Behind every Project One is a chain of experts. Ashley Anderson is one of its strongest links – a color translator, a tactician, and a quiet force of creativity

Most people think of color as a finishing touch. For Ashley Anderson, it’s where everything begins.

As Trek’s CMF (Color, Material, Finish) Development Manager, Ashley plays a role few ever see — but every Project One rider benefits from. She’s a critical link among many in the chain between imagination and execution, translating creative color applications into real, manufacturable bikes that meet Trek’s highest standards around the world.

With over 15 years at Trek and a background in graphic design, Ashley has developed a rare kind of expertise — the kind that can’t be outsourced, rushed, or replicated. She understands color on multiple levels: how it behaves on carbon, how it shifts under changing light, how it can differ from concept to reality and how form plays a key role. If Project One designers dream in color, Ashley’s the one who makes sure those dreams survive the real world.

“None of this happens because of one person,” Ashley says. “It takes an incredible team, from R&D to validation techs to the painters in the booth, all putting in the hard work to bring these ideas to life. I help make sure it all comes together the way it should— on the bike, on the web, and in the rider’s hands.”

This is the kind of behind-the-scenes mastery that defines Project One. It’s not about choosing from a menu. It’s about building something no one else has — and knowing there are people like Ashley making sure it’s done right, down to the last fleck of pearl or fade of chrome.

Her fingerprints aren’t visible. But they’re there — in every luminous finish, every custom detail, every bike that feels like it was made just for you. Because it was. And thanks to Ashley, it looks exactly the way it was meant to.

The Design & Development Library at Trek’s Waterloo headquarters is a hands-on workspace packed with vibrant paints, textured swatches, softgoods prototypes, sewing machines, and more. Unofficially, it’s “The Candy Shop” — a nickname born from the endless options inside. Bike parts in bold finishes. Walls lined with texture books. Racks of materials and textiles. It’s a visual playground. And yes, there’s actual candy, too.